A prime example of Edwardian interpretation of Georgian silver, this small salver exudes the elegance of the period in which it was made. The salver is fully hallmarked on the front with the maker’s mark of Fenton Brothers of Sheffield and the date letter for Sheffield, 1909. The rim is decorated with an applied scroll, shell and acanthus leaf border. The plain center is engraved with a wreath of conforming scroll and leaf motifs. The salver is raised on three bracket form acanthus leaf form... Click for details

This beautiful small sterling silver George III salver is fully hallmarked with Ebenezer Coker’s maker’s mark, the lion passant for sterling, the leopard’s head for London and the date letter “A” for 1756. The salver has a plain center engraved with a coat of arms, a “pie crust” border, and is raised on three double scroll and pad feet. This small salver, or card tray, is a prime example of the art of the English George III silversmiths. Today it would be a beautiful addition to an entry hall... Click for details

This small English 18th century salver is a beautiful example of the art of the English silversmith in the George II period. It is of piecrust design, with an applied scroll and shell border, the center is engraved with a coat of arms. The whole is raised on 3 scroll form pad feet. This small salver was used as a calling card tray during the 18th century. A visitor would arrive at the front door and place his personal card on the tray, hand held by the butler. The butler would then take the... Click for details

A substantial Sterling Silver Salver Tray made by the Quebec, Canada company Birks Silver. This salver is styled after a classic 1750 English Georgian Silver design of a figural shell and gradroon border and an otherwise unadorned surface. The simplicity of this coveted Georgian design is timeless. Made by Birks Silver Co., Quebec, Canada. Circa 1900. The tray is extremely heavy at 73 troy ounces. It measures 17", in diameter and stands 1 1/8" in height on four ball feet. Fully hallmarked... Click for details

An Antique English Sterling Silver Salver Tray engraved with an ornate etched floral and scrolled design around an intricate scalloped monoplate in its center. The border of the tray consists of a raised shell and scroll design surrounded by a classic gradoon outer border. The tray sits on three raised pedestal feet in a complimentary scroll, shell and gadroon design. Made by George Maudsley Jackson and David Landsborough Fullerton, London 1903. Fully Hallmarked. Beautiful Patina. Excellent Cond... Click for details

This is a gorgeous sterling silver tray or salver by the renowned silversmiths at Tiffany & Co. in a timeless Georgian design. This large circular tray stands on four leafy scroll and flower bracket paw feet and has a plain field with a stepped rim with a wide scroll and shell border. The border has been beautifully molded to sculptural affect, and uses the rich silver to great advantage. This classic silver tray is exceptionally versatile and could be used as a serving piece, a support for a ce... Click for details

Here is an exquisite sterling silver salver by London silversmiths William and George Sissons. This shaped, circular salver is supported on three claw and ball bracket feet, while the field is elaborately engraved with a large band of flowers and leaves in loops, surrounding anthemia at intervals. The salver has a wide, molded rim accented with chased flowers and bud swags, below the heavy leaf, scroll and bead border that trims this piece. This salver is in excellent condition with expertly ... Click for details

This is a striking sterling silver salver by silversmiths Thomas Bradbury and John Henderson, a partnership from the well-known family firm of Bradbury and Sons, Sheffield. This circular salver is supported on four scroll and hoof feet, the center is engraved with a coat-of-arms, crest and motto “NON CRUX SED LUX” centered in a cartouche of crossed laurel branches. The salver has a deep rim with a molded and pierced decorative border featuring laurel swags hung at intervals from neoclassical u... Click for details